What Are Your Awesome Stories? Here’s one of mine…

It’s late fall here in Nova Scotia, and the weather (apart from some freakishly warm and much-appreciated days this week) is getting chilly. The other night I was getting dressed for a coffee date with a friend of mine, and I pulled out a scarf.

This scarf.

And it made me smile. Because the scarf has a great story behind it.

Over the summer between my first and second year, Skidmore College’s campus sprouted an art museum. The Tang museum opened its doors in October with an exhibit called S.O.S. Scenes of Sounds, and it featured all kinds of exhibits that made noise.

I don’t really remember being all that excited about the museum or the exhibition. At the time I’m pretty sure we all thought the museum was kind of funny looking. But then one day before the opening, this man came to watch our improvisation (dance) class. Our teacher told us that his name was Nick Cave and that he was looking for some dancers to wear his sound-making costumes during the museum opening.

So we danced. We danced our hearts out. And he watched. And at the end of class he picked 3 students to wear his costumes. I was one of them.

On the day of the opening, when the museum was packed, we got into costume and went outside. We started out on this big exterior staircase leading down to the main exhibit room. We walked down slowly, wearing our full-body soundsuits. Very slowly people began to notice our approach. And then we entered this narrow area enclosed between two walls (and doors) of glass, and we just went wild, improvising all kinds of movement in the giant, rustling costumes as the museum-goers watched. It was incredible.

I wish I had photos or video of us dancing in costume. Youtube wasn’t even invented back then (…I don’t think), and believe me, I’ve looked anyway.  The closest idea I can give you to what this was like was this:


Like I said, not a video of me. But you get the idea. WILD.

Several weeks later, I got a package in the mail. It contained a note from Nick Cave thanking me for dancing for him and presenting this scarf (from his fashion line) as a token of gratitude. I’ve treasured it ever since.

When I went looking for video of these soundsuits, I found out that he went on to make many, many more of them. He’s had exhibits around the world. Hundreds of people have seen them and performed in them. And I danced in one of them 11 years ago, right near the beginning. That’s pretty effing cool.

I think we all have stories like this one…not necessarily about dancing, but about a really awesome experience and a memory we treasure. Sometimes I feel like we don’t like to talk about them because it feels too much like tooting our own horn.

But you know what? Forget that…I say let’s share our awesome stories proudly. Let’s tell the world. Because the world needs to know that cool things like this happen to “normal people” (whatever that means). And stories are important. Your story is important.

What’s your awesome story? And don’t tell me you don’t have one.

Dancing With the Past: It’s never too late to finish what you started

This is a piece of music from the soundtrack of the movie Pi. The year after I graduated from high school, I began to choreograph a solo to it. It was the most technically challenging and choreographically intricate piece I’d ever done. I worked on it for hours. And then I showed it to the wrong person.

And their comment was “Huh…it’s kind of sloppy, isn’t it?”

…I never worked on it again.

13 years later, I’m still sad about this. I’ve been through all the stages on this one: anger at the commenter, insecurity about my abilities, feigned indifference, anger at myself for giving up, and sadness at the entire situation.

Here’s what I know now: Of COURSE the piece was sloppy. I’d only just started…I only had the first third of it done. But it could have been great. I know it could have been great. I remember the very beginning, and it was amazing.

But I forgot all of this. I was so overwhelmed with pain and self-doubt that I gave up on it. I didn’t stand in my own power. And I have regretted it for more than a decade.

I am not alone in this experience.

Do you have a project you loved but stopped working on? Do you have a project you’re nursing tenderly and worried about sucking at?

Just do it. Trust your vision. Ride the wild donkey. Finish your project, no matter how many people tell you it sucks (or, alternatively, don’t show anyone until you’re done, that could work too). Trust me, “doing it anyway” sucks WAY less than regretting something for 13 years.

It’s NEVER too late.

I thought it was too late for me to finish this piece because I can’t physically do the dance steps any more. But there are always possibilities. I have a friend who can do the steps for me. It is never too late to finish what you started.

I’m going to do it.
You can do it too.

Please, just do it. Create that thing that calls out to you. Listen to it, bring it out into the world. The world needs your creations. Do it. Don’t let it hang over you forever.

Falling Down

Up until the end of Grade Eleven, I had very little experience with modern dance. I’d taken one term of modern classes, and I’d found the technique interesting but slightly uncomfortable. And then I went to Walnut Hill…and everything changed.

This technique was completely different —it flowed. It was all about breath and weight and swinging the body like a pendulum. And it felt completely right on my body. I can’t express in words how much I adored (STILL adore) this style. I took every class I could get…and 13 years later, I still remember half the warmup exercises.

This is the only real example photo I have…but you can kind of see the swing and get a sense of the release, I think.

 

I have a great memory of a modern class where we were doing a difficult combination across the floor. I threw myself into the final turn…and fell on my butt. I got up, bright red, and looking at the teacher in desperate apology for “failing.” She smiled at me, turned to the class and said “See? Meg threw so much energy into the dance that she lost control. And that’s good. I want you all to attack this phrase with as much passion as Meg.” (OK, fine, I just paraphrased, but you get the idea). She gave me a suggestion about form and how to harness the energy more efficiently and told me to try again.

And suddenly I was on top of the world. I ran back to try the combination again, and this time I danced with all my might…and didn’t fall.

How often do we make mistakes and then beat ourselves over the head with them? How often do we avoid trying something for fear of making a mistake or failing (however we define that failure)?

What would it be like if we could approach our own dances —physical, mental, or emotional— the way that my modern teacher approached my dance? What would that look like to you?

To me it would look like trying 100%, really leaping in with all of my might. It would look like expressing myself with passion and flowing through the movements and not worrying so much about the “scary” parts…just…MOVING JOYFULLY.

It would look…a little scary at the start…but pretty darn awesome once I got going.

And if I fell…at least I’d know that I was dancing with all of my might.